During his lifetime Johann Sebastian Bach was better known as a virtuoso organist, harpsichordist and organ builder than as a composer. It wasn’t until the 19th century that the world began popularizing his work and building his reputation as one of the greatest composers of all time.
Johann Sebastian Bach’s Early Days
J.S. Bach was born March 21, 1685, in Eisenach, Thuringia to Johann Ambrosius Bach and Elisabeth Lämmerhirt. He came from a large family of musicians on both parents’ sides. While little is known of Johann Sebastian’s musical education, he was undoubtedly a good student.
By 1695, his parents were dead, and the young Johann Sebastian went to live with his older brother, Johann Cristoph, an organist taught by composer Johann Pachelbel. It’s likely that his brother gave Johann Sebastian his first formal music lessons. With a strong performance in school and a good singing voice, Johann Sebastian earned a place in a “poor boys” choir in 1700.
By 1702, Bach had become a fairly accomplished organist, gaining experience that directed him away from the string-playing history of his immediate family. He was appointed organist for the New Church in Arnstadt, Germany, around August 1703.
The young Bach’s music had a powerful German influence, but he was also exposed to Italian music, particularly the work of Antonio Vivaldi. His style evolved to embrace both the German and Italian backgrounds.
Sources in this Story
- Encyclopedia Britannica: Johann Sebastian Bach
- The Internet Public Library: The Baroque Era: Johann Sebastian Bach
- BBC: A Bach Timeline
- Biography.com: Johann Sebastian Bach
For a large part of his career, Bach was an organist. In 1703, he began playing at the St. Boniface Church. While there, he decided to make a nearly 200-mile journey on foot to listen to the famed organist Dietrich Buxtehude. He meant to leave his post at St. Boniface Church for only a month, but he ended up staying away for five months and took another job as organist at Mülhausen for a year, then worked as an organist and concertmaster for the court of the Duke of Weimar.
A devoted Lutheran, Bach created several religious pieces while he worked for the church. He wrote more than 200 cantatas since (filling a requirement of one a week), five masses, three oratorios and other compositions. He also wrote The St. Matthew Passion, which has been called “one of western music’s sublime masterpieces.”
The Man and His Work
- The Johann Sebastian Bach Collection (CD)
- Bach: The Art of Fugue (CD)
- Bach – The Complete Brandenburg Concertos (CD)
- Johann Sebastian Bach: The Learned Musician by Christoph Wolff
- Glory And Honor: The Music And Artistic Legacy of Johann Sebastian Bach by Gregory Wilbur
- Johann Sebastian Bach: NPR Music (resource page)
The Rest of the Story
Bach was married twice, first to Maria Barbara Bach, who died, and to Anna Magdalena Wülken. He fathered 20 children (only 10 survived past infancy), and a few went on to become accomplished musicians as well.
In 1749, Bach’s eyesight was failing, and a traveling English surgeon tried to fix the problem. Unfortunately, the procedure left the composer completely blind. Even with this handicap, and in deteriorating health, Bach continued to compose by dictating his work to a pupil. He died from a stroke in 1750, leaving behind a legacy of hundreds of beautiful musical pieces. Some say his organ music is “still regarded as the pinnacle of the repertoire” hundreds of years later. His most notable final works include “Musical Offering,” created for Frederick the Great, and the unfinished “Art of the Fugue.”
Bach was buried in an unmarked grave at St. Thomas Church. In the view of scholars, Bach’s death marks the end of the Baroque period of music.
Of his impact on music, The BBC’s Grove Concise Dictionary of Music writes, “Bach’s output embraces practically every musical genre of his time except for the dramatic ones of opera and oratorio (his three ‘oratorios’ being oratorios only in a special sense). He opened up new dimensions in virtually every department of creative work to which he turned, in format, musical quality and technical demands.”
This article was originally written by Lindsey Chapman; it was updated February 3, 2017.